For me this is one of the most excruciating tasks while making a movie because every little mistake or error looks like a huge painful stab-me-in-the-eyes apallment. It's really hard for me to watch. (To which you can say: "Hard for you to watch?! How about us?!!" Ha!)
And of course I see mistakes like traffic in the background and other things which shouldn't exist in a post-apocalyptic world. There are a couple color-correction issues (especially in exposure where the close shots are stopped down a bit because the lens was wide open for the wide shots, if you know what I mean then you know what I mean.)
So far I have 6 out-and-out mistakes in Act 1. The exposure could be adjusted for dozens of shots, I don't know if/when we'll get to that. Only one of those big blatant errors is a picture mistake. The rest are all audio.
Oh, and if you're looking at my notes: "E.D." stands for "Extraneous Dialog." No. Really.
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4 comments:
Mistakes? Those are called artistic choices, man!
Yeah, well that's what we're gonna say when we get audio or picture kicked back from the distributor, that's for sure.
"Extraneous Dialog." I hate when that happens!
And it happens so freakin' often. Why? I have no idea. Sometimes it's because we have other dialog as a guide track and it doesn't get muted. Other times? I have no idea. Maybe we just like to pile up the dialog?
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