Saturday, November 4, 2017

Friday, October 27, 2017

Friday, September 1, 2017

Where At I? (Says the Horta.)

Making ADR lists of dialog. Must finish movie before AFM...
The color space of my monitor in normal viewing is very unlike inside Premiere. That very queered pinkish color was totally gone and the shadows were more better inside Premiere. Huh.
It's kind of a huge relief to have the novel done. Now I don't have to deal with it anymore. It's done. It's out there. Nobody's gonna buy it, of course, but it's not weighing on me.
And oh. I guess I owe rent tomorrow. Huh. Funny how that all works.

Sunday, August 13, 2017

Sunday, August 6, 2017

Three things for August 6

Blend Modes.
I should have read this, like, 20 years ago.

How to encode ProRes files on Windows. The process is a tad fussy to set up but eventually it seems to work.
And further drafts of the Earth Killer (Earthkiller?) book.

Monday, July 31, 2017

And yet more novel artwork

This is the second draft of the art for the cover of the novel Earthkiller. (No relationship to the movie.)

Tuesday, July 18, 2017

Hard Drives

Relevant to my interests, the costs of hard drives. The takeaways are that 4TB drives are the cost/gigabyte leader (which, now that I look at my computer, explains why I have all 4TB drives), and the downward price of hard drives is flattening.

Wednesday, June 28, 2017

They Will All Die In Space

They will spend all the money on sets, that's for sure.

They Will All Die in Space from Javier Chillon on Vimeo.

Watching this I thought the only thing that would make it more expensive looking would be those long lugubrious dolly moves they had in Alien. Mmm... with a geared head.

Friday, May 12, 2017

Foley Kontakt

It seems like there's a healthy amount of Foley instruments for Kontakt nowadays. Here in the Pandora Machine we tend to use some instruments, some real Foley (making some sounds in front of a microphone), cut effects either from libraries or field recordings, and the ol' trusty -- actual production sound.

The Foley Collection is a fairly big set albeit with a lot of misspellings. It's 600 Euros.

The Edward Suite by Tovusound is $400, but there's a "light" version which is $79.

Big Fish Audio makes their Virtual Foley Artist available for the weird price of $226.24

Alejandro Cabrera has his own Foley instrument for free.

Thursday, May 11, 2017

ADR setup part I

I'm sure I'm re-inventing the wheel here, but I need to make a template for the ADR scripts. We know that on our movie Oblivion, we have four characters who need ADR for every scene they did out-of-doors.
So my first question is whether this is a spreadsheet or a "document." I'm going ahead with spreadsheet even though those inevitably cause formatting issues.  I can't find any real and usable templates on the interwebs (there are a couple, but they didn't do anything for me) so I'm going to make one from scratch.
No, that's not it.
The other thing is that I'm planning on doing the actual ADR in Premiere rather than in Samplitude. Premiere's audio handling is less elegant than Samplitude's though. But we'll see if we can muddle through it.
One thing I'm planning is to have two mics on each actor for ADR. Or at least our lead. Hmm... Anyway, a small-diaphragm condenser in the sort of boom-mic position, and a large-diaphragm mic in, well, the same position (above the head). The reason I'm going for both these apostasies is that
  • I believe that microphones should nominally mic people who talk or sing from above because that placement avoids "p" pops and breath hits and
  • Some of the ADR will actually turn into voiceover and the large-diaphragm would be better suited to VO.
And since I'm gradually going further and further off-topic I think we should discuss the elephant in the room:

That is, why don't use a wireless lav for ADR? Because after all, that's what you'd use in the field if you were recording production dialog.
After many years of cogitating over this (taking time out for meals of course) I have come to an answer: I don't know.

Friday, April 14, 2017

Multichannel audio output in Premiere Pro

This is relevant to my interests.
RedGiant's Denoiser seems to actually work. It can make stuff seem a tad "plastic-y" but that's what you get when you shoot in low-light at 1600 ISO. 

The Art Factory in fabulous Paterson, NJ is simply amazing.

Detonation Films has some dust storms. I'm still trying to get some good sand coming up off of dunes that are far away. Lots of detail. Keyed. Still looking.

I'd like a decent video transmitter for tap. One does need an FCC license for that.
If I'm going to do that I should get an FCC license for wireless microphones
Heck, I may as well get an FAA exemption while I'm at it.