A writer asked about my "pool" of writers. Here was my semi-lucid response:
The best writer in my "writer's pool", I'm afraid to say, is me. And I'm not the best because I'm the best at writing or have even the most experience writing screenplays -- I've just done a number of them, very quickly, and produced them, so I tend to know what works. And I'm able to do it quickly.
Did I mention the "quickly" part?
Our last movie, Day 2, I wrote entirely. The movie we're doing now was re-written from page one (although ironically contains more of the older versions of the script the same writer who had handed in). The movie before that had an extensive rewrite done by me. I'm a very good re-writer. I'm the rewriter you want on your script.
I'm also an almost religious follower of Blake Snyder's "Save the Cat" books and especially the Blake Snyder Beat Sheet. The one place in writing where I fall down is in story structure. That's most writer's problem too. Blake Snyder fixes that problem. Almost any other problem can be fixed on-set (although it's better to fix beforehand).
We need creature features and big monsters. That's what everyone has been clamoring for.
What I specialize in is science fiction -- usually with a big political subtext.
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| The sign outside the writer's room. |
What I don't like about what we do now is the relative slowness of writing. We really need to find ourselves in a position where we can have a finished, polished, screenplay in 30 days. I can do maybe 60 days now, but it's gotta get down to 30.
And just to publicly shame myself I'm on page 52 of the Earthwar script.
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