So I'll admit I've been watching a lot of Spaced lately, which I hadn't seen before. Stylistically it's really streets ahead of even stuff like Community. Virtually every shot is some sort of genre-inspired transition. That's not actually factual but it feels like it's true.
Back in the olden days we would get yelled at by distributors and trailer editors for not having a moving camera. So by the time we shot Alien Insurrection we'd decided to do as much of the movie handheld as possible. This was a real bear with the HVX2000 and the Letus adapter with a 35mm lens on the front.
Since then I've had a tendency to go for a more "immediate" sort of "you are there" look with shooting handheld. The Firefly TV series might have had a hand in encouraging that tendency in me.
But the thing I realized from watching Spaced is that I never shoot transition shots.
This is mostly because I have no idea how we'll want to edit a scene when we shoot it. This may in fact be a fairly large whole in my filmmaking methodology. Maybe I should know how we're getting from one scene to the next.
Of course, as a technique it way pull attention to itself. "Ooh! Look how smart we are doing this dolly move which is picked up by the next shot." So yeah, there's that. But I think I'm still in the Firefly style rather than the very formal style with glacially slow camera moves. I think
Our next movie is clearly a handheld and security camera extravaganza. But after that? Do we use a dolly more?
Call Back, Casey. All is Forgiven
3 months ago