We had our wrap party for The Prometheus Trap last night. Sangria. I drank some.
Also, Maduka Steady's wrap party video for Prometheus Trap! (Click through to embiggen the video.)
Prometheus Trap wrap party from Andrew Bellware on Vimeo.
Facebook Badge
Subscribe To Pandora Machine
Posts
Comments
Other Movie Blogs
Popular Posts
-
Or: Vosstanie Androidov. I believe that Russia's distribution method is simply to embed ads in the online videos. Which is a neat trick... -
Today we had a table read of The Prometheus Trap. All the actors were there. Steve Niles was able to Skype in. It was all good times. We do... -
Anthony Jones painted the helmet. The color is even more interesting than I thought it would be. The visors retain a stunning amount of ... -
The new art has been created. And that's the overly-handsome Joe Chapman with his very own BFG. We couldn't show his face because h... -
Now, my buddy Chance Shirley already made the most awesome space movie, Interplanetary. So really I should just quit and get a real job. I&... -
And this is what our distributor, Vanguard Cinema , told us to tell the cast and crew to do: Rate the film on IMDB.com and “link-list” th... -
We shot many and multivarious stills of Tina Tanzer today, for use with key art. You know it's really all about the Facebook. The st... -
This is the preliminary art. I know, a "Ralph Boswell" film. He's not so much my alter-ego as much as "imaginary friend&q... -
It's funny, completing a feature film is a monumental effort -- thousands of man hours of work and the willingness to see the movie thro... -
OK, so we're going over and over the ways we might stay afloat as a movie studio. I say "afloat" rather than "make scads ...
2 comments:
You fuckers have a digital slate? Wtf is with that? Do you know how much beer/cocaine you could have bought with that money?
Yeah, about $1700 worth of coke and beer. I got it back in the day when I was an actual sound guy and, for whatever reason, timecode slates are the sound department's responsibility while dumb slates belong to camera. But producers liked seeing it on set even if they didn't know what it does.
These days we don't even use a timecode recorder, but the big red lights that go on when the slate comes down make syncing a breeze...
Post a Comment