Score!

I'm about 1/3 of the way through the mix on Carbon Copy. Well, maybe more like 1/4 the way. There are a whole lot of little details to be dealt with.

This is, however, a relatively easy scene with only two characters so the extra 4 tracks were deleted in the picture edit and never got dragged over to the audio edit in Samplitude.

Since we moved to recording 6-tracks of audio for all dialog, it's a bit more of a pain in the tuchus to deal with big dialog scenes. At the same time we're more likely to have good dialog in those scenes.
I cannot tell if I'm doing the right thing with music.
In my mind the whole thing, meaning the whole movie, is in the mind of the lead character. So what is the soundtrack of her mind? I have no idea. Well, I mean I have an idea. Is it too much? I really don't know.
This is one of those thing where, as the director, I really should have a clue. I'm going for an electronic kind of sound with pulses and grooves mostly. I really dug the James Newton Howard score to The Bourne Legacy. So I'm trying to cop some of those feels (uh, phrasing Drew?) in the Carbon Copy score.