Sunday, July 3, 2016

More Medical Bays



The upholstery on the Nostromo is really nice. What's it made of? Is that just vacuformed plastic? What I really don't get is how the seams don't show. Maybe there's weatherstripping involved?

Cantilevered platforms are out of our budget range. But the light and the sort of surgery/dentist tools above Kane are very nice aren't they? Making this room circular must have taken quite an effort.

This is a CG model from the Interwebs. It's much too detailed to be made as vacuformed panels.

The alien medical bay from another angle. Are those speakers on the wall above the lighting instrument in the photograph?

Ash's station here is not as super-duper expensive as (say) the bridge. But I like the sort of s-shape of the vertical pieces. What I fail to comprehend is how the seams work because it's like the whole thing is molded out of one piece. It's quite lovely actually.

Here's the medical bay from a video-game of Alien.

I tried simplifying the above CG image to see if it was something we could have vacuformed. It was prohibitively expensive.

So I'm pretty sure this is Leeloo or... wait, no. The medical bay in Prometheus.

I don't know. Production drawing for Alien maybe?

The state actually gives you a pretty decent apartment when you come out of hypersleep. Maybe it's because you have a cat? I do love how inconvenient the corner thing Ripley is leaning against is.

Details everywhere.

Looking at this again, this is actually one of the cheapest looking sets in Alien. It's not that it doesn't look nice, it's just not super-expensive (for Alien).

So. Reshoots and stuff. Which means the word "greeble" is all over the place in my vocabulary. Also, it seems like the cheapest small monitor is really a Kindle Fire 7". Because using VLC media player you can play .mp4 movies on a loop on the Fire (also you can "lock" the display so you can design your graphics for, and use it, sideways.)

This is a closeup of the newspaper in Blade Runner.
I've been looking at pictures of ISS recently. Mostly dorking out about Suni Williams. The station is filled with plain-old laptop computers. And from what I can see there's basically no in-wall wiring. Everything's exposed.
I believe this is in the Russian part of the station. Although the display is in English. I do so love the super-simplicity of the readout.
Inside the cupola of the ISS. There is more duct tape in use there than you'd think you'd want to have on a space station.
This is the inside of a garbage truck. It's actually a right-hand-drive truck, or rather it has both left and right hand steering wheels but you're looking at it from the "working" position.

Thursday, June 23, 2016

Carbon Copy Trailer

Here's the latest version of the Carbon Copy trailer.

Carbon Copy Trailer from Andrew Bellware on Vimeo.

Friday, June 17, 2016

My three things today

Issues with monitoring with the GH4. Basically you switch from .mov to AVCHD recording and back again if it's not outputting video via HDMI.
Apple's Time Machine can get cranky about disk permissions. Just. Because.
Panasonic's VLOG-L is very interesting. I don't know why Panasonic is so weird about releasing it. It's a $99 upgrade but it's frequently "out of stock". I mean it's a flippin' serial number for a software upgrade and it's... "out of stock". Nobody knows why.

There are some complications using VLOG-L. One is that it doesn't really work in 8-bit as nicely as you'd like. And that's what the GH4 records internally. 

Thursday, June 2, 2016

Mac Rogers Is The Man

Genius playwright Mac Rogers is all over The New York Times.

Mac also wrote the screenplay for our movie Angry Planet.
The part I seriously have to disagree with is this statement:

Mr. Rogers probably wouldn’t be much use if the robot hordes were to pounce.

I know Mac Rogers.  I met Mac Rogers when I was a subspace communication specialist (T-3) and he was a Marine door gunner on a landing boat on LV-426. Let me tell you something. If there's one guy you want standing by your side with a pulse rifle when the robot hordes are about to pounce, it's Mac Rogers.

Saturday, May 28, 2016

Thursday, May 26, 2016

Wut?

So there's a LUT available for the Panasonic GH4 which will give you 12 stops on the camera. That's awesome. It's software and it's only $99. Fine.
It's on backorder from Adorama and B&H.
Just so we're clear, this is a freaking serial number so you can register the software that you have to download. They apparently mail you the serial number. On a piece of paper.
So. That then.
If my next movie doesn't look as nice as that image above I shall run amok.

Monday, May 23, 2016

Documentary Copy

The dude who made that documentary on Sriracha published an essay on his receipts. Now, as my dad would have said, dude is counting "profit" without taking out his own salary.
Ooh. Today was the last day of Cannes. We have a new movie, Carbon Copy.

Friday, April 15, 2016

Economies of Blurry Costumes Enloudened

The economics of a TV show. (It's not really the economics of a TV show, more general network economics. So. Like that.
Box blur. Is better than directional blur or gaussian blur or fast blur. So says Stu. So say we all.
I just steal all my content from Kevin Kangas.

Scene Sick is a company that makes post-apocalyptic clothes. Like Mad Max-type stuff. Reasonably priced and very sci-fi.
HideAMic is a series of products for putting the Sanken COS11 in clothes. I'm not entirely sure how they work or if they're better than the soft pads with tape on either side, but it's nice to have options.

Thursday, March 24, 2016

DAW, Transcriptions, Microphones, and Spaceship Panels

Here is my workstation where I am editing dialog and sound effects and music on Carbon Copy. I actually ended up with two workstations. The other one is half-set-up in the bedroom.
My little apartment seems weirdly spacious in this view.

Rev via Kangas. $1/minute transcription. This is relevant to my lifestyle choices.
§
Sanken COS-11 microphones. Without accessories. With accessories. Honestly, with the relatively inexpensive Sennheiser "Evolution" wireless systems I'm fairly happy with the quality of the wireless transmission and reception. I'm not as excited by the microphones that come with them (sort of a cheap-o version of the Sennheiser MK2). And in most scenes one shoots the difference between good mics like the Sanken and bad ones like the MK2 knockoffs really isn't that big a deal. But every once in a while you have a microphone in a bra or elsewhere that the location isn't quite perfect and bleh. The little bit extra by paying upwards of $400 for microphones makes a big difference.
§
2 Coast Customs makes props including spaceships panels. Sometimes a man needs spaceship panels.

Monday, March 21, 2016

End Titles Things

A reference guide for credits. Most of the following text is by other people.

§
OPENING CREDITS
The order of credits is determined by guild rules -- SAG, the DGA, WGA and other unions. the list that follows is for opening credits.

The order in which credits are billed generally follows their importance to the film, just not linearly. First is usually the motion picture company, followed by the producer, then the 'a film by' credit. Then we see the Title followed by the cast. from there we reverse gears on the whole "order of importance" guideline and work backwards to the director...


PRODUCTION COMPANY presents
a NAME LASTNAME production
a NAME LASTNAME film
"TITLE"
Lead Cast
Supporting Cast
Casting Director
Music Composer
Costume Designer
Associate Producers
Editor(s)
Production Designer
Director of Photography
Executive Producer
Producer
Writer(s)
Director

If the writer and director are the same person, or the director was also a producer, hold his earlier credit and pair it with the more prestigious one (in this case "director"). so you would place "Written and Directed by" or "Produced and Directed by" or "Edited and Directed by" where the Director's credit goes. if your Dp was also your editor, you'd have "Editor and Director of Photography..." falling in the position where the DP credit goes. et cetera.

CLOSING CREDITS
Closing credits do not have any hard and fast rules that dictate how they need to be ordered. But there are conventions that have been established. If you intend to have no opening credits (something George Lucas left the DGA over) you basically put the Director, Writer and Producer credits first, then go down the line for the closing credits:


Director
Writer(s)
Producer
Executive Producer
Lead Cast
Supporting Cast
Director of Photography
Production Designer
Editor(s)
Associate Producers
Costume Designer
Music Composer
Casting Director

***if you credited the above in the opening, closing credits begin here ***

Unit Production Manager
First Assistant Director
Second Assistant Director
Full Cast / Character List
Stunt Dept
Production Departments (Grip, Electric, Camera, Sound, Wardrobe, etc)
Post-Production Departments (Assistant Editors, Visual Effects, Colorist, etc)
Song Credits
Caterer
Title Designer
Special Thanks
Camera, Lenses and Equipment Makers
Location of Final Sound Mix ("Recorded at...")
Copyright ©
Disclaimer

special consideration is given for "name" actors, often they are credited just before the title comes up. and again, you have a lot of wiggle room with closing credits. some films credit the entire cast first, before the director. you have options here.

THE DISCLAIMER
Here is a standard motion picture disclaimer...

"PERSON'S NAME OR PRODUCTION COMPANY" is the author of this motion picture for the purpose of copyrght and other laws.

This motion picture is protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication, distribution and/or exhibition of this motion picture may result in civil liability and criminal prosecution.

Characters and incidents portrayed and the names herein are fictitious, and any similarity to the name, character or history of any person is entirely coincidental and unintentional.

No animals were harmed in the making of this film. [Drew note: isn't this a copyrighted statement held by SAG?]


PRODUCTION LOGO
if you have an Animated Production Company Logo, place that at the very beginning, before your credits. it's the first thing we see. some studios/production companies will tag the logo on at the very end too.
 
§

Here's sample text for the 2257 compliance notice:

2257 Compliance: In compliance with United States Code, Title 18, Section 2257, all models, actors, actresses and other persons appearing in any visual depiction of content whether actual sexually explicit conduct, simulated sexual content or otherwise, displayed in the Picture were  at least eighteen (18) years of age at the time such depictions were created, and all other visual depictions displayed in the Picture are exempt from the provision of 18 U.S.C. Section 2257 and 28 C.F.R. 75 because such visual depictions do not consist of depictions of conduct as specifically listed in 18 U.S.C Section 2256 (2) (A) through (D), but are merely depictions of non-sexually explicit nudity, or are depictions of simulated sexual conduct, or are otherwise exempt because the visual depictions were created prior to July 3, 1995. Records required to be maintained for such materials pursuant to 18 U.S.C. 2257 and 28 C.F.R. 75 are maintained by Licensor (“2257 Compliance”).

Friday, March 18, 2016

To Do

Today's goals involve mixing act 9, working on the end-title credits, and making some android walking in act 3 on Carbon Copy. Also: vacuuming behind my couch.

Friday, March 4, 2016

Handheld Presets

With a hat tip to both Kangas and Ian Hubert, Jarle's Deadpool Handheld Presets. I know, right? These kinds of things are not perfect -- they won't handle images which have extreme foreground and background where the parallax would mess you up. But for most images with a relatively flat plane they can be lifesavers.
I've been using some footage I shot where I was trying to be as still as I could with a handheld camera. But I'm definitely going to check out these presets.
I'm selling a bunch of stuff on the eBays. Some production sound gear -- a bag, a computer audio interface, a power distribution thingy. You know you need these things. Bid now!
Am diligently working on Carbon Copy. The number of details in post is quite astounding. All sorts of picture things and all sorts of sound mix things has me with machines rendering all the time.

Wednesday, March 2, 2016

Hap and Leonard

Dude.
Jim Mickle's new TV series on Sundance airs tonight (March 2, 2016). Hap and Leonard.
I'm gonna watch the heck out of this.